Violin Concerto in A minor (Bach)
- Violin
- strings
- continuo
- file
- help
- file
- help
- file
- help
The Violin Concerto in A minor, BWV 1041, is a violin concerto by Johann Sebastian Bach. It shows the influence of Italian composers such as Bach's older contemporary Vivaldi.
Bach is known to have studied Vivaldi's music from around 1714 when he was working at Weimar.[1] Italian influence can be seen in keyboard music he composed around that time. However, the date of the concerto is the subject of dispute as the original score has not survived. Most scholars think it was written after he had left Weimar (the violinist Lina Tur Bonet is in a minority in suggesting it was written there).[2] It is "generally thought to have been composed at Köthen" (where Bach worked in the period 1717–23).[3] It could have been written at Leipzig, as the only autograph source to survive is a set of parts Bach copied out (along with Carl Philipp Emanuel Bach, Johann Ludwig Krebs, and an unknown copyist) in Leipzig c. 1730 from a now lost score or draft.[4]
Christoph Wolff has argued that the work may have been written during Bach's time as director of Leipzig's Collegium Musicum.[4] John Butt takes a similar view, suggesting that Bach wrote it "probably soon after taking over the Leipzig Collegium Musicum in 1729".[citation needed]
Structure and analysis
The piece has three movements:
- Allegro moderato, in A minor, 2
4 meter;- The opening movement is in ritornello form. This means that there is a main section that comes back in fragments in both the solo violin and orchestral parts. This 'ritornello' can be found in the first movement up until bar 24. The motifs of the theme appear in changing combinations and are separated and intensified throughout the movement.
- Andante, in C major, meter;
- In the Andante second movement, Bach uses an insistent pattern in the ostinato bass part that is repeated constantly in the movement. He focuses the variation in the harmonic relations. Butt notes that "Bach seems to have associated" the ostinato scheme "particularly with violin concertos.".
- Allegro assai, in A minor, 9
8 meter.- In the final movement Bach relies on bariolage figures to generate striking acoustic effects. The meter and rhythm are those of a gigue.[5] Butt describes it as "perhaps Bach's most animated and carefree movement in the minor mode."
A typical performance of the concerto takes around 15 minutes.
Publication
The concerto was published for the first time in 1852.[6] In the 1870s Wilhelm Rust edited it for publication in the first complete edition of Bach's works.
Instrumentations and transcriptions
The Keyboard Concerto in G minor, BWV 1058 is an arrangement of this concerto with harpsichord.
References
- ^ Vivaldi's influence was discussed by Bach's first biographer Forkel in Johann Sebastian Bach: His Life, Art, and Work.
- ^ "Himmelsburg". Glossa. Retrieved 29 May 2024.
- ^ Stowell, Robin (1999). "Violin Concertos". In Boyd, Malcolm; Butt, John (eds.). J. S. Bach. Oxford Composer Companions. Oxford University Press. p. 492. ISBN 978-0-19-866208-2.
- ^ a b Wolff, Christoph (1991). "Bach's Leipzig Chamber Music". Bach: essays on his life and music. Cambridge, Massachusetts: Harvard University Press. pp. 234–237. ISBN 978-0-674-05926-9.
- ^ Robin Stowell, "Violin Concertos," in Oxford Composer Companions: J.S. Bach, Oxford University Press, 1999, p. 493
- ^ "Violin concerto in A minor". Netherlands Bach Society. Retrieved 31 May 2024.
External links
- Violin Concerto in A minor: performance by the Netherlands Bach Society (video and background information)
- Violin Concerto in A minor: Scores at the International Music Score Library Project
- v
- t
- e
- Sonatas and Partitas for Solo Violin, BWV 1001–1006
- Partita No. 1
- No. 2
- No. 3
- Cello Suites, BWV 1007–1012
- Partita for Solo Flute, BWV 1013
- Six Sonatas for Violin and Harpsichord, BWV 1014–1019
- Sonatas for viola da gamba and harpsichord, BWV 1027–1029
- Flute Sonatas
- in B minor, BWV 1030
- in E♭ major, BWV 1031 (doubtful)
- in A major, BWV 1032
- in C major, BWV 1033 (doubtful)
- in E minor, BWV 1034
- in E major, BWV 1035
- Trio Sonatas
- Violin Concerto in A minor, BWV 1041
- Violin Concerto in E major, BWV 1042
- Concerto for Two Violins, BWV 1043
- Triple Concerto, BWV 1044
- Sinfonia for violin and orchestra, BWV 1045
- Brandenburg Concertos, BWV 1046–1051
- Keyboard concertos, BWV 1052–1065
- Orchestral Suites, BWV 1066–1069
- Orchestral Suite in G minor, BWV 1070 (doubtful)
- The Musical Offering, BWV 1079
- The Art of Fugue, BWV 1080
- "Air on the G String"
- "Alphabet"
- "Ave Maria"
- Bach-Busoni Editions
- "Everything's Gonna Be Alright"
- "Feel My Rhythm"
- "Jesu, Joy of Man's Desiring"
- "Joy"
- "Lady Lynda"
- "Sheep may safely graze"
- "They"
- Trio Sonata, BWV 525a
- "A Whiter Shade of Pale"
This article about a concerto is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e