Vermont Counterpoint
Composition by Steve Reich
Vermont Counterpoint is a minimalist composition for amplified flute and tape written by the American composer Steve Reich in 1982. It was commissioned and premiered by the flutist Ransom Wilson. The piece has a duration of roughly 10 minutes and is dedicated to the American philanthropist Betty Freeman.[1]
References
- ^ Reich, Steve (1982). "Vermont Counterpoint". Boosey & Hawkes. Retrieved August 5, 2016.
External links
- "Vermont Counterpoint" at allmusic.com
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Steve Reich
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- Come Out (1966)
- Reed Phase (1966)
- Piano Phase (1967)
- Violin Phase (1967)
- Pendulum Music (1968)
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- Drumming (1970–1971)
- Clapping Music (1972)
- Six Pianos (1973)
- Music for Mallet Instruments, Voices and Organ (1973)
- Music for 18 Musicians (1974–1976)
- Music for a Large Ensemble (1978)
- Octet (1979)
- Variations for Winds, Strings and Keyboards (1979)
- Tehillim (1981)
- Vermont Counterpoint (1982)
- Eight Lines (1983)
- The Desert Music (1984)
- Sextet (1984)
- New York Counterpoint (1985)
- The Four Sections (1987)
- Electric Counterpoint (1987)
- Different Trains (1988)
- The Cave (1993)
- City Life (1994)
- Proverb (1995)
- Triple Quartet (1998)
- Three Tales (1998–2002)
- Cello Counterpoint (2003)
- Daniel Variations (2006)
- Double Sextet (2007)
- 2×5 (2008)
- Mallet Quartet (2009)
- WTC 9/11 (2010)
- Radio Rewrite (2013)
- Quartet (2014)
- Runner (2016)
- Pulse (2016)
- Music for Ensemble and Orchestra (2018)
- Reich/Richter (2019)
- Traveler's Prayer (2021)
Category
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