Granaína
Granaína (Spanish pronunciation: [ɡɾanaˈina]) is a flamenco style of singing and guitar playing from Granada. It is a variant of the Granada fandangos. It was originally danceable, but now has lost its rhythm, is much slower, and is usually only sung or played as a guitar solo, reflecting its Arab-Moorish heritage more strongly than other fandangos.[1]
The famous singer Don Antonio Chacón (1869–1929) is attributed with freeing the granaína from its rhythmic ties and making it popular. Singers usually finish their rendering of the granaína with a media granaína, a similar tune but rising to a higher pitch. Manuel Vallejo (1891–1960) was a famous exponent of this latter cante.
References
- ^ Claus Schreiner, ed. (1990). Flamenco: Gypsy Dance and Music from Andalusia. Portland, OR: Amadeus Press. p. 72.
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Palos in flamenco
- debla
- carceleras
- trilla
- saetas
- martinetes
- tonás
- soleá
- soleá por bulerías
- cantiñas (including alegrías, romeras, caracoles, mirabrás and other cantiñas)
- bulerías
- caña
- polo
- seguiriya
- cabales
- serrana
- livianas
- toná liviana
- verdiales
- jaberas
- rondeñas
- fandangos de lucena
- malagueñas
- tarantas
- cartageneras
- cantes de madrugá
- minera
- murciana
- levantica
- granaína
- tangos
- tientos
- farruca
- garrotín
- rumba
- tanguillos
- marianas
- guajiras
- vidalitas
- milongas
- and colombianas
- sevillanas
- nanas ("lullabies")
- bambera
- zambras
- zorongo
- campanilleros
- peteneras
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